Thursday, July 28, 2011
Shiraz (Grand Hotel) - Iran
Monday, June 20, 2011
Qeysarriyeh Bazaar
The Grand Bazaar is a structure in Isfahan, Iran, also known as "Qeysarriyeh Bazaar" (in Persian: بازار قيصريه).
It was originally constructed during the 11th century, in the southeast wing of Jame Mosque and Kohne Square but various arcades and rooms were later added to it. The present remnant dates from the Safavid period, during which the Qaysariya Bazaar was built in the north wing of Naqshe Jahan Square , and was developed as a subtitute for Kohneh Square .
Monday, May 30, 2011
Ali Qapu
The Golden Age of Isfahan arrived in the 16th century under Shah Abbas the great .(1587–1629), who conquered it and made it the new capital of the Safavid dynasty. During the reign of Shah Abbas I, who unified Persia, Isfahan reached its pinnacle. Isfahan had parks, libraries and mosques that amazed Europeans.
Ali Qapu is located on the western side of the Naghshe Jahan Square opposite toSheikh Lotfolah mosque , and had been originally designed as a vast portal. It is forty-eight meters high and there are seven floors, each accessible by a difficult spiral staircase. In the sixth floor music room, deep circular niches are found in the walls, having not only aesthetic value, but also acoustic.
Monday, May 02, 2011
Masouleh Village - Iran
Masouleh architecture is unique. The buildings have been built into the mountain and are interconnected. Courtyards and roofs both serve as pedestrian areas similar to streets. Masouleh does not allow any motor vehicles to enter, due to its unique layout. It is the only village in Iran with such a prohibition. However, the small streets and many stairs simply wouldn't make it possible for vehicles to enter.
Saturday, April 09, 2011
Eram Garden, Shiraz - Iran

Tuesday, March 15, 2011
Masuleh Village north of Iran
Monday, March 14, 2011
pigeon tower of Nahjir Village in Isfahan
Tuesday, October 06, 2009
Nahjir Village in Isfahan - Iran
Wednesday, September 16, 2009
Nahjir Village - Isfahan .Iran
Thursday, September 10, 2009
Ferdosi


Hakim Abol Ghasem Ferdosi Tosi , more commonly translisterated as Ferdowsi or Firdusi is a highly revered Persian poet. He was the author of the Shahnameh , the national epic of Iran and related societies.Ferdowsi, is best known for his literary epic, Shahnameh to which he devoted most of his life. Shahnameh was originally drafted by Ferdowsi for the Princes of Samanids, who were responsible for revival of the Persian cultural traditions after the Arab invasion.
Ferdowsi would live to see the Samanids, conquered by the Ghaznavid Turks। The new ruler Mahmud of Ghaznavi would lack the same interest in Ferdosi 's work as that shown by the Samanids, resulting in him losing favor with the royal court. Ferdosi would die in 1020 C.E. in "poverty and embittered by royal neglect" though confident that the masterpiece that he had created would last the test of time.Written at the end of the tenth century and the beginning of the eleventh century C.E., Shahnameh would mainly concern pre-Islamic Iran, through its fictional protagonist, Rostam a Persian hero and legend who is a greater-than-life figure (akin to Hercules) living for more than five hundred years, undergoing seven trials of strength, Batteling foes of man, beast, and dragon, and serving more than five Persian monarchies. Ferdosi 's Rostam is an epitome of bravery, heroism, and loyalty to the Persian throne.
Rostam however is more than just a legend and a hero, in that he is constantly on the edge, and always resolute to assert that he is "his own man" able to define his own destiny and make his own choices, regardless of needs of others even those of the kings he so faithfully serves.Ferdosi lived at a critical historical period and so his book not only reflects the uncertainties and challenges of the era but his own resilience and determination in creation of a stable Persian literary identity that was unique and different from its Arab counterpart. Ferdosi in fact was a "dehqan" or a member of the indigenous landed aristocracy who had in a severely attenuated way survived the Arab conquest and now had to adapt to the new world order. Shahnameh in many ways reflects this ongoing challenge.



